The prophet Habakkuk.
 Donatello, 1386?-1466

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Title:The prophet Habakkuk
Notes:

As one of the most renowned works in sculpture of the Renaissance, Donatello's prophet Habakkuk ushered in a strain of psychological and physical realism. The modeling of the bald, strained, head of the prophet creates a sense of powerful forewarning, appropriate to the scriptural texts. This statue originally stood outside, and Florentines gave it the name, "Il Zuccone," or Pumpkinhead.

The Habakkuk sculpture is an example of Donatello's attempt at "ekphrasis" -- "Ekphrasis has been considered generally to be a rhetorical device in which one medium of art tries to relate to another medium by defining and describing its essence and form, and in doing so, relate more directly to the audience, through its illuminative liveliness. A descriptive work of prose or poetry, a film, or even a photograph may thus highlight through its rhetorical vividness what is happening, or what is shown in, say, any of the visual arts, and in doing so, may enhance the original art and so take on a life of its own through its brilliant description. " [from Wikipedia: http://en.wikipedia.org/wiki/Ekphrasis]

Kenneth Gross, a scholar whose work, The Dream of the Moving Statue, tackles examples of ekphrasis in the dialogue between literature and fine art. He writes about Donatello's Habakkuk and the artist's attempt to represent the prophet's Biblicalm iconoclastic rhetoric. "Let us first imagine Donatello trying to answer the question, How does one make a statue of an iconoclast? ... How could the statue of an iconoclast face down the fact of being one of those things that "have mouths, but do not speak; / eyes, but do not see / ...ears, but do not hear; / noses, but do not smell" (Ps 115:5-8)? Donatello's solution...is to construct a figure whose aspect entails a radical retroping of the merely given wordlessness, blindess, and senselessness of sculpture, a refiguring of the opacity that makes the idol a spiritual threat. It entails a choice of form and feature that radically readjusts our angle of vision on the statue's way of representing life, as well as on its inherent deathliness."

Date:c. 1425
Artist:Donatello, 1386?-1466
Building:Opera di S. Maria del Fiore (Florence, Italy). Museo
Object/Function:Sculpture, freestanding
City/Town:Florence
Country:Italy

Scripture:Habakkuk 1:1-4; 2:1-4
Person as Subject:Habakkuk (Biblical prophet)
Lectionary links:CProp22

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Copyright Source:Flickr Creative Commons
Copyright Permission:This file is licensed under the Creative Commons Attribution Noncommercial ShareAlike 3.0 License. In short: you are free to use and to share the file for non-commercial purposes under the conditions that you appropriately attribute it, and that you distribute it only under a license compatible with this one. For uses other than the above, contact the Divinity Library at divref@vanderbilt.edu.
Attribution:Donatello, 1386?-1466. The prophet Habakkuk, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. http://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=54223 [retrieved October 23, 2019]. Original source: Flickr Creative Commons.
Record Number:54223 Last Updated: 2010-12-09 10:46:38 Record Created: 2009-02-11 12:04:50
Institution:Vanderbilt University Unit: Collection: Art in the Christian Tradition