Notes: | To purchase prints, cards, and posters of John August Swanson's works, visit http://www.johnaugustswanson.com Serigraph, 12” by 38 ½” ARTIST'S NOTES: Mary and Joseph take the child Jesus to the temple with the offering of two doves. This was the offering of the poorest. It was a symbol of thanksgiving for their firstborn. At the entrance they meet Simeon and Anna who are both old and waiting and praying in the temple. They both approach the family and honor the new born Jesus. In this scene are the gates, courtyard, steps, temple entrance, and the dome. It is night--people are carrying their offerings of candles and doves. The walls have intricate carvings of narrative scenes. Angels open and guide the pathways and entrances. In each of the towers, windows are lite to show the scholoars working, reading, and copying the scrolls. Mary and Joseph stand amazed at the two elders Anna and Simeon as they take the baby in ther arms. The city with its turrets and towers is in the background of the temple and over the city is the star filled sky. JOHN AUGUST SWANSON makes his home in Los Angeles, California, where he was born in 1938. He paints in oil, watercolor, acrylic and mixed media, and is an independent printmaker of limited edition serigraphs, lithographs and etchings. His art reflects the strong heritage of storytelling he inherited from his Mexican mother and Swedish father. John Swanson’s narrative is direct and easily understood. He addresses himself to human values, cultural roots, and his quest for self-discovery through visual images. These include Bible stories and social celebrations such as attending the circus, the concert, and the opera. He also tells of everyday existence, of city and country walks, of visits to the library, the train station or the schoolroom. All his parables optimistically embrace life and one’s spiritual transformation. John Swanson studied with Corita Kent at Immaculate Heart College. His unique style is influenced by the imagery of Islamic and medieval miniatures, Russian iconography, the color of Latin American folk art, and the tradition of Mexican muralists. His art is in no way "naïve." It is detailed, complex, and elaborate. Unlike many contemporary artists, John Swanson works directly on all phases in producing his original prints. His serigraphs (limited-edition screen prints) have from 40 to 89 colors printed, using transparent and opaque inks creating rich and detailed imagery. For each color printed the artist must draw a stencil on Mylar film. This stencil is transferred to the silk screen for printing the color ink on the serigraph edition. The resulting serigraph is a matrix of richly overlaid colors visually striking and technically masterful. Mr. Swanson’s art is represented in the permanent collections of many museums, including three museums of the Smithsonian Institution: The National Museum of American History, The National Museum of American Art and The National Air and Space Museum. He is also included in the print collections of the Art Institute of Chicago, Harvard University’s Fogg Museum, the Tate Gallery and Victoria and Albert Museum in London, and the Bibliothèque Nationale in Paris. His painting THE PROCESSION is one of relatively few works by contemporary artists to be selected for the Vatican Museums’ Collection of Modern Religious Art. In 2008, an extensive collection of John August Swanson’s works were purchased by Emory University’s Candler School of Theology to hang on the walls of their new 76,349 square foot building. He was awarded The Dean’s Medal for his art’s transformative effect on the campus. With over 55 works hung, this is the largest open public display of the artwork of John August Swanson. [from the artist's website] |
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