|
| Title: | Chartres Cathedral; Sarah, Abraham, Hagar, Adam, Eve; jamb figures, left embrasure, left portal, west facade |
|---|
| Notes: | Three north portal column figures (a king standing between two queens, seen from waist down, possibly Sarah, Abraham and Hagar) and their bases. From left to right: the pedestal figures depict a man with snakes encircling his body, a queen standing on a dragon, and an ape with other animals. The meaning of the base figures is unknown, although it has been suggested that they represent Adam, the new Eve, the serpent. [Villette, pg. 62-63] Digitized from the slide collection of James T. Womack, Nashville, TN. |
|---|
| Date: | 1145 |
|---|
| Building: | Cathédrale de Chartres
|
|---|
| City/Town: | Chartres
|
|---|
| Country: | France
|
|---|
|
| General Subject: | Serpent
|
|---|
| Library of Congress Subject: | Christian art and symbolism -- France -- Chartres -- Medieval, 500-1500
|
|---|
| ICONCLASS Number: | 11I63(SARAH)
11I62(ABRAHAM)
11I63(HAGAR)
11I62(ADAM & EVE)
|
|---|
| Index of Christian Art Number: | 20 C48 CND 14W,002 C
|
|---|
|
| Permalink: |
https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=26369
(Use this link to refer back to this image.)
|
|---|
|
| Copyright Source: | image donated by Jim Womack and Anne Richardson |
|---|
| Copyright Permission: | Creative Commons BY-SA 4.0 |
|---|
| Attribution: | Chartres Cathedral; Sarah, Abraham, Hagar, Adam, Eve; jamb figures, left embrasure, left portal, west facade, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=26369 [retrieved December 1, 2024]. Original source: image donated by Jim Womack and Anne Richardson. |
|---|
| Record Number: | 26369
Last Updated: 2022-06-17 14:23:25
Record Created: 2002-03-21 00:00:00 |
|---|
| Institution: | Vanderbilt University
Collection: Art in the Christian Tradition |
|---|
|
| Bibliographic Source: | Villette, Jean. Les Portails de la cathedrale de Chartres. Editions J.M. Garnier, 1994. |
|---|
|
|---|
