“The bright glow of light on the back of his shoulders directs us to the radiant countenance of Jesus. He is moving away from us but over his left shoulder he is listening to those walking at his side. In this painting the artist’s fingers took over to define his own face more closely than anywhere else in his work. This is virtually a self-portrait. The woman suffering from haemorrhage is cloaked in black. Her hand reaches tentatively towards Jesus’ shoulder and is backlighted by the brightest spot in the painting. Again, we trace the convention of light from the body of Jesus providing both the physical and the spiritual illumination and power for the scene. This time, it is the figure of the woman who absorbs the light which blocks it from the viewer. Others who are with Jesus are illumined by his light. Only the woman, who takes so much of his power into herself, is shown in dark silhouette. Jesus is surrounded by many kinds of people, all with different needs. We see a lame man with a crutch, a man wearing the brass armband of a slave and an older woman holding a sick child on her shoulder. Children of all ages edge the path and reach out to Jesus. Jesus seems to be walking into darkness but behind him the sky is gold. The canvas is incandescent with joy and life and hope.” From Frank Wesley: Exploring Faith with a Brush by Naomi Wray